Daily Savings on Books

Seeing a reproduction of Rembrandt's The Return of the Prodigal Son catapulted Henri Nouwen on a long spiritual adventure. Here he shares the deeply personal meditation that led him to discover the place within where God has chosen to dwell.

An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.

The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.<br><br>Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.

Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.<br><br>Told with consummate skill by the writer of the bestselling, award-winning <i>A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.<br>". . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, <i>A Civil Action, was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable." --<i>The New York Times Book Review


"Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read." --The Economist<br><br><br><i>From the Hardcover edition.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo to paint the ceiling of the newly restored Sistine Chapel. With little experience as a painter (though famed for his sculpture <I>David), Michelangelo was reluctant to begin the massive project. <BR><BR><I>Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.

This glorious volume is a lavishly illustrated coffee-table book with dozens of inspirational and famous color paintings, sculptures and artwork of the Blessed Virgin Mary from all over the world. The beautiful pictures are accompanied by the profound writings and homilies of Pope Benedict XVI on the person of Mary, and her unique role in human history and in the plan of God for salvation history.

The gorgeous paintings and artwork are from many different centuries, some very famous and others less well-known. Many of these artworks are located at popular Marian shrines that Pope Benedict has visited and honored with special events, prayers and homilies, depicted throughout this volume. Some of the famous Marian images include Our Lady of Lourdes, Our Lady of Czestochowa (the ''Black Madonna''), Queen of the Holy Rosary, Our Lady of Loreto, Queen of Carmel, and many others. <p>Pope Benedict offers in-depth, inspirational reflections on the unique spiritual role Mary as the Mother of the Savior, showing her to be the universal ''Woman'' that Jesus calls her in the Gospels, his mother that God made the spiritual mother of all mankind. Using Biblical references of Mary as ''full of grace'' and the ''woman clothed with the sun'', Pope Benedict emphasizes that Mary's main role is to lead us to union with Jesus, to help us know and love Him much better and to be his true followers. <p>A lovely gift book as well as one to use for inspiring spiritual reading, meditation and reflection.

<DIV><DIV><DIV><DIV>Illuminated with spectacular miniatures and borders in glittering gold and splendid colors for Catherine of Cleves, Duchess of Guelders, this stunning manuscript is arguably the most beautiful ever produced in the Northern Netherlands. The craftsmanship of the anonymous artist who created it is visible in every extraordinary detail of the many leaves. This stunning volume is published in conjunction with an exhibition of the same name at the Morgan Library in New York .

<DIV><DIV>Making Crosses introduces a new spiritual practice for those who want to experience God beyond day-to-day prayers. More than analytical thinking, the practice of making crosses offers a way of prayer where understanding comes from doing.

This new prayer form can take as little or as much time as you have or want to commit. You bring your own creativity to bear and make a representation of the cross of Christ. Each cross is unique, but they all share some deep truths, and Ellen Prewitt invites all to explore the ways in which making crosses can deepen a life lived for Christ. As she explains:

“I’ve found that anyone can make a cross, and by making crosses we are better able to understand what God needs for us to understand about ourselves, our church, or whatever may be working in our lives. To make a cross is to pray in a new way, but it’s not as simple as old-fashioned petitionary prayer; making crosses is a way for God to pray through you.”

For more than a thousand years, Eastern Christians have used their hands and hearts to create icons, proclaiming God's reality in a visible-and breathtakingly beautiful-way. This ancient art is enjoying a renewed interest in the West, as people of faith create icons and use them to meditate on mysteries for which there are no words.<P><I>A Brush With God is a guide to painting icons and using them in prayer. Written with warmth and energy, it describes the history of icons and examines why they've been a spiritual tool for so many centuries. Written from a uniquely Western perspective, the book guides artists-from novices to professionals-through the process of icon painting, using traditional techniques but employing contemporary materials. Included are eight full-color plates of the artist's icons.

In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter’s Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe’s holy metropolis. A dazzling portrait of human achievement and excess, <I>Basilica is a triumph of historical writing.